Planet of the Humans is a 2020 documentary directed by Jeff Gibbs, executive produced by Michael Moore and distributed by Films for Action. The movie purports to reveal the failures of environmentalists for investing time and activism in green technologies which, according to Gibbs, have not fulfilled their promise for a more sustainable future. You […]
Star Wars: The Rise of Skywalker
J.J. Abrams’ torturous embrace of determinism and nostalgic imagery sinks what might have been a triumphant Star Wars finale.
Star Wars: The Last Jedi
“Let the past die,” says Kylo Ren (Adam Driver) to Rey (Daisy Ridley) at a pivotal moment in The Last Jedi. It’s a surprising line to hear in the eighth episode of a 40-year-old saga. It also perfectly captures writer-director Rian Johnson’s approach to Star Wars. Unlike J.J. Abrams’ The Force Awakens, a showcase for […]
Austin Film Festival 2017: Lady Bird
Lady Bird is more than a time capsule. Writer-director Greta Gerwig plumbed her own Sacramento adolescence for a work of fiction that’s self-reflective but rarely precious. She renders the inextricable pain and joy of family, home and growing up in careful strokes. Gerwig’s proxy is Christine “Lady Bird” McPherson (Saoirse Ronan), a spunky senior at […]
Guardians of the Galaxy Vol. 2
I wanted to like Guardians of the Galaxy Vol. 2. I really did. And I enjoyed it enough when I was watching it at the theater. But moments after the credits rolled (and I’d sat through all the mid and post-credit scenes), I left feeling empty. Guardians Vol. 2 is visually stunning, with bright colors […]
Warehoused
For reasons that boil down to my own naïveté and exposure to imperialist propaganda (better known as the American education system), I grew up assuming that entities like the United Nations and its member countries were infallibly dedicated to the welfare of human beings. That line of thought has since been killed, which makes Warehoused […]
London Film Festival 2016: Dog Eat Dog
Paul Schrader’s Dog Eat Dog might have one of the best openings in recent memory. Without tediously itemising the whole sequence, let’s just say it involves a totally wired Willem Dafoe armed with a large knife in a lurid suburban setting where bold neon glows battle for supremacy. It’s like Schrader ingested David Lynch, Douglas Sirk, Michael Moore […]
I Am Not Your Negro
I Am Not Your Negro, a movie which cannot spell out its own true name, sanitizes itself for the sake of the MPAA and declares itself at once a film catered to a certain audience. And yet that is perhaps where the film’s greatest strength lies. Director Raoul Peck makes an impassioned plea through the […]
London Film Festival 2016: The Ghoul
You’ve may not have realised it, but you’ve probably seen Gareth Tunley plenty of times on television. He’s appeared in everything from Hustle and The Thick of It to Peep Show (memorably as “more cor anglais” Gog) in the last decade. It turns out Tunley, perpetually stuck in bit parts, has now moved behind the camera and made a curiously intense psychological […]
Café Society
Woody Allen is at his best when he identifies a universal truth of love. In Annie Hall, it was the inevitability of separation. In Midnight in Paris, it was the desperate, idealistic longing for a time that never was. It’s because of this that Café Society never quite stumbles despite its meandering, clumsily delivered story. Cut through the fat and you’ll […]
Rogue One: A Star Wars Story
Halfway through Rogue One, I started to futz with my hair (my habit for coping with boredom). After another 20 minutes I’d flipped the part of my mophead from right to left. This movie—a reckless jaunt through the Star Wars saga’s style with none of its substance—felt like an off-brand version of Disney World’s Star Tours ride. My nausea-prone stomach begged for mercy. […]
London Film Festival 2016: The Autopsy of Jane Doe
Like Ronseal, The Autopsy of Jane Doe does exactly what it says on the tin. Writers Ian Goldberg and Richard Naing have done their research and come back with a horror film based on the meticulous process of sleuthing through a cadaver. Of course there’s more to the film than a mere autopsy — just […]
London Film Festival 2016: Brimstone
One of cinema’s greatest characters, let alone villains, is Robert Mitchum’s insidious preacher Harry Powell in Night of the Hunter. With ‘love’ and ‘hate’ emblazoned on his knuckles, Powell stalks the Southern Gothic landscape with sinister desires and an ominous aura of dread. Mitchum’s performance is one not easily forgotten or trumped. That was until […]
The Neon Demon
The Neon Demon kills Jesse (Elle Fanning) before the movie begins. I can’t think of a film that dared to off its protagonist in the opening shot. No, this isn’t a spoiler, and anyway, The Neon Demon isn’t the kind of film you can spoil like that. It’s a psychosexual thriller in the vein of Satoshi Kon’s […]
High-Rise
In all the mayhem and carnage of High-Rise one scene in particular stands out. As society teeters perilously close to total collapse, we find Dr Robert Laing (Tom Hiddleston) brawling over a tin of grey paint during the looting of the supermarket. “It’s my paint!” Laing exclaims as he bludgeons a rival to a bloody […]
Zootopia with Ben and Søren
Podcast Review In this podcast, Søren and Ben discuss Disney’s animated film, Zootopia. Be sure to scroll down and read more about their respective opinions in more detail. As always, you can subscribe to our podcast feed using iTunes or by copying this link into your RSS reader. Alternatively, you can check out the episode online or download it here. Happy listening! […]
Deadpool with J and Søren
Podcast Review J and Søren sit down to discuss Fox’s Deadpool in this dueling review. Below that you’ll find both of their written opinions for a more detailed look at their perspectives. As always, you can subscribe to our podcast feed using iTunes or by copying this link into your RSS reader. Alternatively, you can check out the episode online or […]
Spotlight
Spotlight might be the ugliest film of 2015. It’s so wrapped up in its own aesthetic of reality—washed out faces that blend in with pale, drab wallpaper, garish orange furniture clashing with a painfully ordinary office—that you might cry foul that it’s meant for the big screen at all. Yet Tom McCarthy, the visionary director behind […]
London Film Festival 2015: Green Room
Punk Music has always had an uneasy relationship with violence, but for all the bravado, safety pins and rioting it’s never been explicitly tied to outright murder. That was until ultra-violent thriller Green Room hit theaters. Following on from his widely praised debut, Blue Ruin, Jeremy Saulnier cranks the drama up to eleven and produces an exhilarating, albeit […]
The Hunger Games: Mockingjay – Part 2
I’ve had an interesting relationship with The Hunger Games film series. The first (and titular) entry caught my attention for bringing Suzanne Collins’ dystopian world to such initially vibrant life, but director Gary Ross’ shaky camerawork kept me from lauding the film too heavily. Francis Lawrence took up the directing reigns afterward, and crafted Catching Fire into a […]
London Film Festival 2015: The Lobster
“If you were an animal, what animal would you be?” Whether it’s the whirling infantile mind or the daydreams of a bored office worker, this thought holds a primitive interest. Clearly it’s been on Greek director Yorgos Lanthimos’ mind. The Lobster places us in a world where relationships are so important that those who haven’t found […]
Star Wars: The Force Awakens
I paid attention to the little things in The Force Awakens. Some of these were visual — the small creature with eyes set apart like a hammerhead shark poking its head out of the sand, the vulturous creature picking at the remains of a ship as if it were a carcass. Others were musical, like […]
Experimenter
If we define postmodernism as art which questions and critiques established formal rules, Michael Almereyda’s Experimenter might accurately be described as post-postmodern. It deconstructs the impulse towards deconstruction; instead, Almereyda asks his audience why they consider some rules worthy of clinging to and not others. The obedience experiments of Stanley Milgram may be the subject, but […]
The Good Dinosaur
While I prefer to judge a film on its own merit, nothing exists in a vacuum. An artist’s work is always weighed against their past efforts or, in the case of Pixar, against the reputation of the studio. And indeed, no review of The Good Dinosaur will print without comparing it to Inside Out. Nor […]
London Film Festival 2015: Observance
Alfred Hitchcock, the master of the thriller film, once commented on the idea of voyeurism in a conversation with Francois Truffaut. He said, “I’ll bet you that nine out of ten people, if they see a woman across the courtyard undressing for bed, or even a man puttering around in his room… They could pull down […]
London Film Festival 2015: Anomalisa
Standing in the queue for the London Film Festival’s mysterious secret screening, all the talk was unsurprisingly concerned with what lay ahead on the mammoth screen at the Odeon in Leicester Square. Packed together like cattle, there were murmurs of The Hateful Eight or, perhaps most widely suspected, The Danish Girl. But of course you can’t second guess the […]
London Film Festival 2015: The Ones Below
Sometimes a film is intrinsically indebted to another. The Ones Below owes such gratitude to Roman Polanski’s pregnancy horror classic, Rosemary’s Baby. Building directly from another film, especially one as renowned and distinctive as Polanksi’s, adds a certain amount of pressure and expectation to a film; unfair or not, audiences expect you to either trump your predecessor or add to its legacy. […]
Mission: Impossible – Rogue Nation
In the opening scene of Mission: Impossible – Rogue Nation, Ethan Hunt (Tom Cruise), leading man and superspy for the Impossible Mission Force (IMF), jumps onto the wing of a jet and hangs on for dear life as it takes off. A shot of this, incidentally, is featured on one of the promotional posters for this movie. And what […]
Queen of Earth
2015 is turning out to be the year of the 70s throwback. Between the old-school scares and menacing zooms of It Follows and Magic Mike XXL’s offbeat narrative and warm but dim lighting, Alex Ross Perry’s Queen of Earth comes to us at the ideal moment. And like those two films, Queen of Earth aspires […]
Straight Outta Compton
In 1988, N.W.A released the album “Straight Outta Compton.” The album’s titular first track opened with the spoken line “You are now about to witness the strength of street knowledge” and ended with the bold full stop, “Damn that sh*t was dope!” In the four minutes in between, NWA redefined more than just hip hop […]
The Man from U.N.C.L.E.
It might be tempting to spend the night with The Man from U.N.C.L.E.—it’s attractive, stylish and has a great soundtrack—but the experience won’t satisfy you. This slapdash movie throws its scrambled narrative into your lap and expects you to do all of the work to figure it out. Neither director Guy Ritchie nor cowriter Lionel Wigram […]
Jurassic World
Steven Spielberg’s Jurassic Park was a cultural phenomenon. It remains an impressive movie that has captured the imagination of every child and adult, dinosaur-obsessed or not. While its sequel, The Lost World: Jurassic Park, didn’t manage to captivate audiences like its predecessor did, it remained an entertaining dinosaur-themed diversion. (Jurassic Park III, on the other hand, does not exist.) So when Universal Studios […]
It Follows
It Follows taught me to fear everything onscreen. The film’s visual language elicits constant unease and feeds off our growing existential dread. The movie takes you in and traps you, leaving you addicted to its inescapable paranoia. The film opens with an unassuming shot of a suburban street in early autumn. Birds chirp and all seems […]
Child 44
Cigar chain-smoker and all-around war hero Winston Churchill once mused, “Russia is a riddle wrapped in a mystery inside an enigma.” While Child 44 isn’t quite that indecipherable, Churchill’s sentiments perfectly summarise the disjointed and fragmented adaptation of Tom Rob Smith’s U.S.S.R.-based novel. Director Daniel Espinosa fails to utilise the superb cinematic tools at hand—including […]
While We’re Young
We all have to grow up eventually. There’s a grim air to that statement—it smacks of morbid cliché—but the inevitability of aging is a powerful motivator. It forces us to confront the decisions we’ve made thus far and confront our self-imposed stagnation. I don’t know if writer/director Noah Baumbach is a cynic but, like me, he is […]
Timbuktu
When Abderrahmane Sissako‘s Timbuktu hit screens around France, it had a modest start at French box office. But after winning Prize of the Ecumenical Jury and the François Chalais Prize at Cannes last year, a remarkable seven Césars including Best Movie and Best Director and a nomination for Best Foreign Picture at this year’s Oscars (though it ultimately lost to Ida), the movie is now enjoying renewed popularity […]
The Last Five Years
One of my close friends introduced me to Jason Robert Brown’s musical The Last Five Years when we were freshmen, and I’ve been listening to the original cast recording regularly ever since. I’ve never seen the stage production itself, and that added degree of separation gave me an uncanny feeling while watching writer-director Richard LaGravenese’s film adaptation. The film […]
Big Hero 6
Film has the capacity to inspire us. It can make us feel sentimental, happy and sad. The greatest power a movie has is the ability to reach out and touch an audience’s heart. Big Hero 6, directed by Don Hall and Chris Williams, achieves this and more. This Disney animated movie (made in conjunction with Marvel Studios) tells […]
Kingsman: The Secret Service
It’s dinner time. Villain Richmond Valentine (Samuel L. Jackson), flaunting his disarming lisp, confesses his love of good old-fashioned spy movies to debonair secret agent Henry Hart (Colin Firth). At the same time, he somewhat paradoxically reassures Hart that this isn’t one of them, coming within inches of breaking the fourth wall. This odd contradiction wonderfully summarises the action packed, […]
A Most Violent Year
We hear breath over a black screen. A runner pants heavily before the camera reveals him jogging around New York City on a winter morning. He’s fit and keeps a strong, even pace. He wears a determined expression. The sound of his breath fades beneath the soulful piano stabs of Marvin Gaye’s “Inner City Blues.” […]
Selma
Selma begins with intimacy and tension. Dr. Martin Luther King, Jr. prepares to deliver a speech in acceptance of the Nobel Peace Prize. He’s nervous and complains something is not right with his ascot. His wife, Coretta Scott King, reassures him that all is well, and the two proceed to the ceremony. The new Nobel […]
The Theory of Everything
The “theory of everything” was the basis of world renowned English physicist Stephen Hawking’s first work in the 1960s. He believed there was one all-encompassing framework of physics that links together everything in the universe. While the “theory of everything” has yet to be proven – even Hawking himself has retracted his support for the premise – […]
The Babadook
The Babadook is out to get Amelia (Essie Davis) and her son Samuel (Noah Wiseman). Yet for the first third of the film, there’s not the slightest hint of a monster. A rhythm is established, and the film’s language is as well; cross-cutting means something bad is about to happen, for instance. But just as I […]
The Hunger Games: Mockingjay – Part 1
I didn’t know how to react to Mockingjay – Part 1. I remember feeling strangely ambivalent. I was entirely unmoved for the two hours I spent in the theater. After thinking about the film for a week or so, I realize that I felt cheated. This is because Mockingjay, Part 1 isn’t a movie; it’s a glorified advertisement for […]
Dear White People
I have a paradoxical love for Dear White People. On one hand, I wish writer/director Justin Simien had tackled such serious subject matter further along in his carer. On the other, I wonder if a more established director would have taken so many risks. A world post-Spike Lee – a man more concerned with strangely esoteric commentary and Korean […]
Interstellar with Nate and Søren
Nate’s Review Interstellar surprised me. I walked into the theater expecting to see a bombastic space exploration flick. I did not expect the film to bring me to tears, but it did. The plot is centered on the final frontier, but Christopher Nolan’s latest is more than that. There’s a soul beneath the science-fiction spectacle. […]
Birdman with J and Søren
J’s Review Birdman comes close to greatness. Cinematographer Emmanuel Lubezki’s execution of the long take is so successful it almost makes me forget about everything else in the film. I love how it moves from supposed fantasy to supposed reality without cuts, removing the objectivity that comes with a shot change. Watching fantasy elements shift into reality within a […]
Mr. Turner
As he slumps further into his seat, a numbing chill besets a visibly drained man. His eyelids uncontrollably waver between open and closed like a ship’s bow undulating in the sea. The abject look emblazoned across his face tells a tale of defeat, hinting at the effects of a grave and strenuous ordeal. He’s had enough; surely […]
Whiplash
I made it to the theater just in time. As the clerk handed me my ticket, she said, “There may only be two or three seats towards the front.” So I sat down in the front row, made myself comfortable and uncapped my pen. If you see the film anytime soon, count on finding me in the […]
Nightcrawler
What’s the dream footage to lead local morning news? A screaming woman running down the street with her throat cut, of course. That’s according to unscrupulous news director Nina Romina (Rene Russo). Her world is controlled by ratings which are in turn driven by suburban fear mongering and perverse images of death and violence. Nightcrawler takes us […]
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