On November 15, 2020, NASA and SpaceX partnered to launch a six-month science mission on the International Space Station. Despite the ravages of COVID-19, NASA’s collaboration with this brainchild of Elon Musk, himself a product of an apartheid South African emerald mining fortune, solidifies the “final frontier” as yet another domain for colonial capitalist dominance. […]
Seafolk are a uniquely resilient bunch. Growing up in Gloucester, Massachusetts, the oldest seaport in the country, I learned prosperity and precarity can alternate like the tide for fishermen. The danger of commercial fishing also means coastal communities often bequeath a cultural inheritance of grief. These elements drew me with great curiosity to The Long […]
The first time I watched The Room, I couldn’t stand it. A friend had recommended the movie, but it was riddled with cheesy dialogue, stilted acting and continuity errors. When it finally reached its conclusion, I let out a breath I didn’t know I’d been holding in. I had no idea what I had just […]
It wasn’t like the last time I’d visited the British Film Institute. The buildings were all the same, massive cubes of concrete sitting along the bank of the Thames. Their façades were aglow with pink and blue lights, as I remembered them last time, glinting off of the river as we crossed Waterloo Bridge. But […]
Planet of the Humans is a 2020 documentary directed by Jeff Gibbs, executive produced by Michael Moore and distributed by Films for Action. The movie purports to reveal the failures of environmentalists for investing time and activism in green technologies which, according to Gibbs, have not fulfilled their promise for a more sustainable future. You […]
J.J. Abrams’ torturous embrace of determinism and nostalgic imagery sinks what might have been a triumphant Star Wars finale.
Deadwood: The Movie presents an overtly contrasting final message to the one it gave us over a decade ago, each finale borne of its political moment.
Deadwood concludes with “Tell Him Something Pretty,” a challenging finale which refuses to give its scrappy underdogs any victory, moral or otherwise.
“The Catbird Seat” releases the pressure valve on Season 3’s tension as the town coalesces on one side of the thoroughfare, Hearst and his goons on the other.
Hoopleheads Podcast: W. Earl Brown pens one of Deadwood’s most focused episodes, “A Constant Throb,” the thrust of which concentrates on Al regaining his faculties in his existential contest with George Hearst.