Deadwood: The Movie presents an overtly contrasting final message to the one it gave us over a decade ago, each finale borne of its political moment.
Deadwood concludes with “Tell Him Something Pretty,” a challenging finale which refuses to give its scrappy underdogs any victory, moral or otherwise.
“The Catbird Seat” releases the pressure valve on Season 3’s tension as the town coalesces on one side of the thoroughfare, Hearst and his goons on the other.
Hoopleheads Podcast: W. Earl Brown pens one of Deadwood’s most focused episodes, “A Constant Throb,” the thrust of which concentrates on Al regaining his faculties in his existential contest with George Hearst.
“Amateur Night” closes off several storylines as it consolidates its focus on broiling conflict between the camp and George Hearst.
Hearst greedily chases new gold mining opportunities, Steve’s horse-minding career comes to an end and the Earps arrive in Deadwood as “Leviathan Smiles.”
“Unauthorized Cinnamon” is a fantastic episode that provides some of the most exciting revelations and funniest moments in Deadwood thus far.
Deadwood winds itself up tight in “A Rich Find,” placing newcomer Odell square in the lion’s den as he seeks out Hearst against his mother’s wishes. Esther and Søren discuss.
“A Two-Headed Beast” is a showdown between Deadwood’s two chief rivals – but it also features the conclusion to one of the saddest, and most prescient, storylines in the series so far. Esther and Søren discuss.
“Full Faith and Credit” delicately balances Deadwood’s racial dynamics while offering some deeper introspection about who its leading characters really are. Esther and Søren discuss.
On a technical level, “True Colors” is often bizarre and always interesting; narratively, this is some of the most exciting material we’ve seen in Deadwood.
“I Am Not the Fine Man You Take Me For” is an episode that makes a frightening declaration about who Hearst is and what Seth and Al are up against.
In “Tell Your God to Ready for Blood,” director Mark Tinker revels in Deadwood’s brewing conflict between George Hearst, Seth Bullock and Al Swearengen. Esther and Søren discuss.
However (un)satisfactorily “The Iron Throne” concludes Game of Thrones, it also brings our podcast series, “Stark Contrast,” to a bittersweet end. This week, Esther and Søren close out Stark Contrast.
In Game of Thrones’ “The Bells,” Miguel Sapochnik once again uses every visual trick he can find to try reanimate a show long past its prime. Esther, Søren and guest host Josh Lewis discuss.
“The Last of the Starks” struggles to justify its own existence as Game of Thrones meanders in the wake of its climactic battle with Death itself.