Watching “The Whores Can Come” in such proximity to the finale, “By the Earth Talks To,” draws a striking contrast. This episode is a funeral: a sunny daytime tale where black clothes contrast with a bright backdrop. The joy of its successor is nowhere to be found; Seth (Timothy Olyphant) and Martha (Anna Gunn) languish […]
Hoopleheads: Episode 22 “Advances, None Miraculous”
J and I both enjoyed “Advances, None Miraculous” from writer Sarah Hess and Deadwood film director Dan Minahan, J going to far as to call it their favorite episode. The episode features a distinct technical touch, embracing techniques like rack focus and dolly shots to set emphasize characters and set scenes, respectively. These little moments […]
Hoopleheads: Episode 21 “Amalgamation and Capital”
Director Ed Bianchi does excellent work with “Amalgamation and Capital.” The episode focuses on Seth’s (Timothy Olyphant) nephew and adopted son, William (Josh Eriksson), whose amiable interactions with different players in the camp put a lighter spin on the Deadwood cast. To build the tension of several plot threads, Bianchi uses clever editing reminiscent of […]
Hoopleheads: Episode 20 “Childish Things”
“Childish Things” is outstanding television. Director Tim Van Patten and writer Regina Corrado offer beautiful vignette-like portraits of human relationships within Deadwood. Meanwhile, the denizens of the camp — enemies and allies alike — coalesce around a charming wager as to whether or not Tom Nuttall (Leon Rippy) can ride his newfangled bicycle across the […]
Hoopleheads: Episode 19 “E.B. Was Left Out”
“E.B. Was Left Out” is a generally fantastic episode of Deadwood, even if both J and I found the subplot about the new prostitutes in the Chinese part of camp to be distasteful in presentation. Director Michael Almereyda adds small touches here and there to keep things interesting, particularly in his framings of otherwise ordinary […]
Hoopleheads: Episode 18 “Something Very Expensive”
“Something Very Expensive” is an explosive episode that finally delivers on the foreboding promise of Mr. W (Garret Dillahunt). Here we finally see his truest colors, only hinted at before. He sees the world as transactional; there are proclivities he would like satisfied, and George Hearst provides the capital to cover for his indulgences. Sometimes […]
Hoopleheads: Episode 17 “Complications” (Formerly “Difficulties”)
Following a more by-the-numbers episode last week, Deadwood is back with a vengeance in “Complications” under the excellent direction of Gregg Fienberg. Al (Ian McShane) has risen from the near-dead and summoned Bullock (Timothy Olyphant) back into the fray. But as their yin and yang begin to take shape again and set the camp to […]
Hoopleheads: Episode 16 “Requiem for a Gleet”
“Requiem for a Gleet” lives up to its name this episode, highlighting a deeply agonized Al (Ian McShane) as he struggles to hold on to consciousness in the face of extreme pain. Indeed, this episode serves as a finale to the Kidney Stone Arc, as it were, finally offering Al a gleet-ful release from his […]
Hoopleheads: Episode 15 “New Money”
After a two-part transition from Season 1 to Season 2, we’re finally off to the races with “New Money.” This episode sees the unlikely return of Garret Dillahunt to Deadwood. He previously portrayed the coward Jack McCall, but here he debuts an equally consequential character: Mr. Wolcott, also known as Mr. W. He enters the […]
Hoopleheads: Episode 14 “A Lie Agreed Upon, Part 2”
If “A Lie Agreed Upon, Part 1” is the mountain of conflict, “Part 2” is the valley. The episode plays like a series of deflations. As Bullock (Timothy Olyphant) slowly makes his way across camp to retrieve his weapon and badge from the Gem, he’s waylaid by friends and supporters who do what they can […]
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