After a rough season premiere, Game of Thrones veteran Bryan Cogman turns the show in a positive direction with “A Knight of the Seven Kingdoms.” Cogman is responsible for writing some of the show’s best episodes (including Season 1’s “Cripples, Bastards and Broken Things” and Season 4’s “Oathkeeper”). His dialogue and character work shows a […]
Stark Contrast: Episode 28 “Winterfell”
Welcome back to Stark Contrast! We’re happy to return to our perennial podcast show where we discuss Game of Thrones. This week, we’re kicking off with the Season 8 premiere, “Winterfell.” It’s a slow burn re-introduction to the denizens of Westeros and Essos that never managed to get J and me excited about the series […]
Hoopleheads: Episode 24 “Boy the Earth Talks To”
After last week’s dirge, Deadwood closes out Season 2 with the fantastic “Boy the Earth Talks To.” Director Ed Bianchi is back and it’s immediately apparent. His clever use of depth of field and of framing immediately permeate event he more mundane scenes. Tonally the show also strikes a contrast with its predecessor, trading day […]
Hoopleheads: Episode 23 “The Whores Can Come”
Watching “The Whores Can Come” in such proximity to the finale, “By the Earth Talks To,” draws a striking contrast. This episode is a funeral: a sunny daytime tale where black clothes contrast with a bright backdrop. The joy of its successor is nowhere to be found; Seth (Timothy Olyphant) and Martha (Anna Gunn) languish […]
Hoopleheads: Episode 22 “Advances, None Miraculous”
J and I both enjoyed “Advances, None Miraculous” from writer Sarah Hess and Deadwood film director Dan Minahan, J going to far as to call it their favorite episode. The episode features a distinct technical touch, embracing techniques like rack focus and dolly shots to set emphasize characters and set scenes, respectively. These little moments […]
Hoopleheads: Episode 21 “Amalgamation and Capital”
Director Ed Bianchi does excellent work with “Amalgamation and Capital.” The episode focuses on Seth’s (Timothy Olyphant) nephew and adopted son, William (Josh Eriksson), whose amiable interactions with different players in the camp put a lighter spin on the Deadwood cast. To build the tension of several plot threads, Bianchi uses clever editing reminiscent of […]
Hoopleheads: Episode 20 “Childish Things”
“Childish Things” is outstanding television. Director Tim Van Patten and writer Regina Corrado offer beautiful vignette-like portraits of human relationships within Deadwood. Meanwhile, the denizens of the camp — enemies and allies alike — coalesce around a charming wager as to whether or not Tom Nuttall (Leon Rippy) can ride his newfangled bicycle across the […]
Hoopleheads: Episode 19 “E.B. Was Left Out”
“E.B. Was Left Out” is a generally fantastic episode of Deadwood, even if both J and I found the subplot about the new prostitutes in the Chinese part of camp to be distasteful in presentation. Director Michael Almereyda adds small touches here and there to keep things interesting, particularly in his framings of otherwise ordinary […]
Hoopleheads: Episode 18 “Something Very Expensive”
“Something Very Expensive” is an explosive episode that finally delivers on the foreboding promise of Mr. W (Garret Dillahunt). Here we finally see his truest colors, only hinted at before. He sees the world as transactional; there are proclivities he would like satisfied, and George Hearst provides the capital to cover for his indulgences. Sometimes […]
Hoopleheads: Episode 17 “Complications” (Formerly “Difficulties”)
Following a more by-the-numbers episode last week, Deadwood is back with a vengeance in “Complications” under the excellent direction of Gregg Fienberg. Al (Ian McShane) has risen from the near-dead and summoned Bullock (Timothy Olyphant) back into the fray. But as their yin and yang begin to take shape again and set the camp to […]
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