Let’s talk about titles. Conversations about “good” and “bad” titles tend to baffle me. A good title is descriptive (without being too specific), simple, unique and interesting. Discussions outside of that sphere don’t hold water. That being said, I feel compelled to jump into the most recent title debacle stirring up the film world. Released earlier this […]
Noah
Darren Aronofsky, a director best known for Requiem for a Dream (2000) and Black Swan (2010), has fallen victim to that most dreaded art-versus-production trope of Hollywood: a big budget. Noah had financial backing north of $100 million and you can see every cent of it. Everything about this film is supersized – giant tracking shots, a […]
