An academic paper I wrote on how early Soviet director Sergei Eisenstein uses discontinuous editing in his film Strike to encourage his audience to empathize with his protagonists. Strike is a piece of propaganda made in 1925 about the worker’s revolutions at the turn of the century in order to remind citizens of the Soviet Union why […]
The Artist
At this point, you’ve probably heard that The Artist is a beautifully conceived tribute to the era of silent filmmaking – but I would like to reiterate this fact because of how well writer/director Michael Hazanavicius pulled off this feat. Dealing with emotional themes like failure, change, loss, and growth, the period setting of The Artist allows for […]
