Contrary to the laurels ensconcing every independent movie poster and advertisement, not every film festival presentation is going to be a winner. Once you cut through the glitz of celebrity and flashing lights over the red carpet, sometimes these movies simply aren’t very good. I was pleased, then, that of the fourteen or so films […]
Fight the Power: Interview with Cyril Schäublin, Writer/Director of Unrest
Everything seems to tick in Unrest, the latest effort from Zurich-born writer/director Cyril Schäublin. Unrest depicts the working lives of 19th century anarchist watchmakers in the Swiss mountains, laying bare the absurdities of the wage system. Schäublin follows workers as they navigate their working hours across four different time zones in one town—factory time, train […]
On the War Between Movies and TV for the Soul of Horror
Few things have aided the rise of horror on television more than the decline of horror at the movies. There is a rich history of great horror at the movies. Consider the early Universal monster flicks of the 30s and Alfred Hitchcock’s legendary, contemplative re-imagining of the thriller sub-genre. Think about the classic slasher films in […]
For the Love of the Romantic Tragedy
For this essay, I picked a movie that was still in theaters and analyzed it in terms of genre. Specifically, I determined how I would classify the film, and why exactly I came to that conclusion. I chose to write about Michael Haneke’s Amour. A week before going into Amour, I had the opportunity to speak […]
Søren and J’s Oscarcast 2013
If you were following us on Twitter (and you should be), you’ve already seen bits and pieces of thoughts from the Movie Fail staff on this year’s Oscars ceremony this past Sunday. In this podcast, Josh and I cover everything from the Rhythm and Hues protests to Seth MacFarlane as we discuss the event. Give […]
