Murky water sloshes quietly against a stone wall. The scene is peaceful with nothing but the quite ebb and flow of the river to break the silence. Suddenly, a disturbance: the water starts to rise and fall, angrily smashing against the stones. But no matter how hard it pushes, the wall stands unmoved. The opening shot of A Most […]
Rush
Rush. A short title. Onomatopoetic, monosyllabic. It doesn’t suggest a specific time, place or personality. It simply evokes a feeling. And at its strongest, Ron Howard’s latest film is just that: an uncomplicated expression of raw emotion. That’s not to say Howard doesn’t do a good job with the rest of the storytelling. Howard and […]
