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Television

Stark Contrast: Episode 30 “The Long Night” with Diego Crespo

May 2, 2019 By Søren Hough and Diego Crespo 4 Comments

https://www.hbo.com/game-of-thrones/season-8/3-the-long-night
https://www.hbo.com/game-of-thrones/season-8/3-the-long-night
https://www.hbo.com/game-of-thrones/season-8/3-the-long-night
https://www.hbo.com/game-of-thrones/season-8/3-the-long-night
https://www.hbo.com/game-of-thrones/season-8/3-the-long-night
https://www.hbo.com/game-of-thrones/season-8/3-the-long-night
https://www.hbo.com/game-of-thrones/season-8/3-the-long-night

Release the confetti, folks: Miguel Sapochnik is back for “The Long Night.” This week we’re treated to 80-ish minutes of Game of Thrones‘ best remaining director choreographing the largest and most complex battle sequence in the show’s history. The results are immediately evident as a striking opening shot of Sam Tarly’s (John Bradley) shaking hands transitions into a scene-setting long take. Lucky for us, this week we had the one and only Diego Crespo of The Waffle Press film and television podcast to help us parse this behemoth episode. His insight answers tough questions like, “Was this episode too dark to see anything?”

(No.)

(Really, no.)

The epic conflict of “The Long Night” contrasts expensive spectacle with last week’s slower, more interpersonal tone. But for all of Sapochnik’s considerable talent, he’s still left contending with a story bound up in the bizarre, often deeply silly logic of Game of Thrones. [Update: It turns out he was “visually policed” by David and D.B., as well, as he notes in a recent scathing interview.] For example, we learn this episode that The Night King (Vladimir Furdik) is, in fact, an idiot. He puts his entire army and mission at risk by marching off into battle himself despite being vulnerable to even the slightest abrasion from obsidian or Valyrian steel. This foolishness is borne out by his sudden demise at Arya’s (Maisie Williams) hand.

The episode’s climactic moment also proves J’s prediction. In the season premiere, they predicted that the existential threat of the White Walkers would neatly wrap up just halfway through Season 8. Now here we stand, left with questions about what could possibly matter to viewers with just three long episodes remaining.

Our discussion with Diego takes some bizarre turns. We seesaw from a reflection on composer Ramin Djawadi’s work on System Shock 2 to this week’s useless Inside the Episode segment (see this interview for actual insight from Sapochnik on Arya’s big moment). At one point, we even bring up the cinematic parallels between Melisandre’s (Carice van Houten) anguished death scene and the Purifier’s suicide in The Chronicles of Riddick.

Most importantly, we ask what no one else seems willing to: does the final scene of Shrek hold the blueprint to this show’s grand finale?

I’m a believer.

~ Søren

As always, you can subscribe to our podcast feed (including all episodes of Stark Contrast) using iTunes/Google Play/Spotify. You can also copy this link into your RSS reader. Alternatively, you can check out the episode online or download it here. Happy listening!

Big thanks to Diego for joining us this week! Don’t forget to check out J’s appearance on Diego’s The Waffle Press discussing Stranger Things. You can find my discussion of Star Wars: Episode II – Attack of the Clones here.

Next week we’ll be featuring another surprise guest to help us discuss Game of Thrones Season 8 Episode 4 of “The Last of the Starks.” Don’t miss out!

This podcast uses a clip from the track “Bughici—Suite for Violin, 8 Ardeleneasca, moderato” by Advent Chamber Orchestra / CC BY 3.0.

About Søren Hough

Søren is Editor-in-Chief at Movie Fail. He is a freelance journalist covering science, politics and film. He writes for RogerEbert.com, wrote for ScottFeinberg.com and served as the Assistant Arts Editor for Film and Television at The Massachusetts Daily Collegian.

About Diego Crespo

Diego Crespo is a contributor at Audiences Everywhere and host of The Waffle Press Podcast. He loves waffles almost as much as he loves movies, and prefers to enjoy them at the same time if possible.

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