Ben Affleck has had a strange career. As far back as his early films with Kevin Smith (Chasing Amy, Jay and Silent Bob Strike Back), he’s taken a lot of flack for his acting. But the moment he got behind the camera with Gone Baby Gone, audiences and critics put away their complaints as they […]
Archives for October 2012
Who Is The Master?
I have heard several different evaluations from my peers of Paul Thomas Anderson’s most recent film, The Master; from staunch support to outright dismissal, opinions certainly seem divided. But as someone who was not anticipating The Master with any great excitement, I came away pleasantly surprised. Because of this, I feel that I should illustrate why the film deserves a […]
Looper
I feel it is only fair to warn you that there are very light spoilers for Looper in the review below. I have seen the movie and can assure you they are absolutely far from important given how complex the film is, but if you’re one of those people who wants to go into the movie completely fresh, I […]
Seven Psychopaths
The McDonagh family has some serious talent. Both Martin, the writer/director of In Bruges, and his brother John Michael McDonagh, writer/director of The Guard, have produced two of the best dark comedies of the 21st century. Martin in particular feels in many ways like a subtler, more poignant Tarantino, combining morbid violence with ingenious dialogue and meaningful emotion. […]
The Master
Paul Thomas Anderson is a director who thrives on being pensive. This, unfortunately, tends to clash with his directorial style. His stories often feel like twigs strewn across a body of water, loosely tied together by vague ideas and tangential connections. Sometimes that underlying body of water is a puddle, shallow and superficial, while at […]
