Is this a crossover episode? I had the rare opportunity to jump on The Waffle Press podcast and discuss some important issues with my good friends Diego Crespo and Gene Aversa. The first part of our discussion focuses on the hesitancy around vaccines seen both in the general population and among people of color. We […]
The Neon Demon
The Neon Demon kills Jesse (Elle Fanning) before the movie begins. I can’t think of a film that dared to off its protagonist in the opening shot. No, this isn’t a spoiler, and anyway, The Neon Demon isn’t the kind of film you can spoil like that. It’s a psychosexual thriller in the vein of Satoshi Kon’s […]
High-Rise
In all the mayhem and carnage of High-Rise one scene in particular stands out. As society teeters perilously close to total collapse, we find Dr Robert Laing (Tom Hiddleston) brawling over a tin of grey paint during the looting of the supermarket. “It’s my paint!” Laing exclaims as he bludgeons a rival to a bloody […]
London Film Festival 2015: Green Room
Punk Music has always had an uneasy relationship with violence, but for all the bravado, safety pins and rioting it’s never been explicitly tied to outright murder. That was until ultra-violent thriller Green Room hit theaters. Following on from his widely praised debut, Blue Ruin, Jeremy Saulnier cranks the drama up to eleven and produces an exhilarating, albeit […]
London Film Festival 2015: Observance
Alfred Hitchcock, the master of the thriller film, once commented on the idea of voyeurism in a conversation with Francois Truffaut. He said, “I’ll bet you that nine out of ten people, if they see a woman across the courtyard undressing for bed, or even a man puttering around in his room… They could pull down […]
London Film Festival 2015: The Ones Below
Sometimes a film is intrinsically indebted to another. The Ones Below owes such gratitude to Roman Polanski’s pregnancy horror classic, Rosemary’s Baby. Building directly from another film, especially one as renowned and distinctive as Polanksi’s, adds a certain amount of pressure and expectation to a film; unfair or not, audiences expect you to either trump your predecessor or add to its legacy. […]
Mission: Impossible – Rogue Nation
In the opening scene of Mission: Impossible – Rogue Nation, Ethan Hunt (Tom Cruise), leading man and superspy for the Impossible Mission Force (IMF), jumps onto the wing of a jet and hangs on for dear life as it takes off. A shot of this, incidentally, is featured on one of the promotional posters for this movie. And what […]
Queen of Earth
2015 is turning out to be the year of the 70s throwback. Between the old-school scares and menacing zooms of It Follows and Magic Mike XXL’s offbeat narrative and warm but dim lighting, Alex Ross Perry’s Queen of Earth comes to us at the ideal moment. And like those two films, Queen of Earth aspires […]
Jurassic World
Steven Spielberg’s Jurassic Park was a cultural phenomenon. It remains an impressive movie that has captured the imagination of every child and adult, dinosaur-obsessed or not. While its sequel, The Lost World: Jurassic Park, didn’t manage to captivate audiences like its predecessor did, it remained an entertaining dinosaur-themed diversion. (Jurassic Park III, on the other hand, does not exist.) So when Universal Studios […]
It Follows
It Follows taught me to fear everything onscreen. The film’s visual language elicits constant unease and feeds off our growing existential dread. The movie takes you in and traps you, leaving you addicted to its inescapable paranoia. The film opens with an unassuming shot of a suburban street in early autumn. Birds chirp and all seems […]
A Most Violent Year
We hear breath over a black screen. A runner pants heavily before the camera reveals him jogging around New York City on a winter morning. He’s fit and keeps a strong, even pace. He wears a determined expression. The sound of his breath fades beneath the soulful piano stabs of Marvin Gaye’s “Inner City Blues.” […]
The Babadook
The Babadook is out to get Amelia (Essie Davis) and her son Samuel (Noah Wiseman). Yet for the first third of the film, there’s not the slightest hint of a monster. A rhythm is established, and the film’s language is as well; cross-cutting means something bad is about to happen, for instance. But just as I […]
Nightcrawler
What’s the dream footage to lead local morning news? A screaming woman running down the street with her throat cut, of course. That’s according to unscrupulous news director Nina Romina (Rene Russo). Her world is controlled by ratings which are in turn driven by suburban fear mongering and perverse images of death and violence. Nightcrawler takes us […]
The Signal
The Signal irritated me. I saw the film over three months ago, and time has not been kind to my impression of it. If I recall correctly, I left the theater this past June feeling slightly more positive than indifferent about this particular hodgepodge of sights and sounds. How things change. Here’s what I’ve learned in the last three […]
Night Moves
For a film so thematically focused on aftermath and consequence, Night Moves spends a lot of time on build-up. The meat of the movie doesn’t appear until about an hour in, well after the eco-terrorists played by Jesse Eisenberg (Josh), Dakota Fanning (Dena) and Peter Sarsgaard (Harmon) execute their violent plan. The going is slow but […]
The Drop
The thing about liquid is that it always takes the form of its container. Thin, round, tall, squat – it doesn’t matter. The same could be said of Hardy. In Locke, he affects a peculiar, nasally UK accent and gruff persona. As a spy in Tinker Tailor Soldier Spy, he is a sharp, twitchy stud whose emotions rule his behavior. […]
A Most Wanted Man
Murky water sloshes quietly against a stone wall. The scene is peaceful with nothing but the quite ebb and flow of the river to break the silence. Suddenly, a disturbance: the water starts to rise and fall, angrily smashing against the stones. But no matter how hard it pushes, the wall stands unmoved. The opening shot of A Most […]
J and Søren Discuss True Detective
True Detective has been something of a phenomenon. Featuring top-notch acting and intense character-driven mysteries, the show quickly gained a following and has seen record high ratings and critical acclaim over the course of its first season. On Sunday March 9, 2014, the tales of Rust Cohle (Matthew Mcconaughey) and Marty Hart (Woody Harrelson) came to an […]
Gravity
A woman, short-haired and weightless, folds her body up in relief. Light pours in through a nearby window, and as she floats gently in the sunlight, at once the image of a fetus in utero is evoked. The frame lingers here. She recovers her breath and then, her energy restored, she swims through the air. […]
Skyfall with Tim, Søren, and Todd
Tim’s Review Though it contains many of the high-energy action sequences and traditions that we’ve come to expect from Bond flicks, Sam Mendes’s movie plays more like a thriller/art-film, than an action movie, exploring death, resurrection, and an underlying theme of old versus new. Despite the obviousness of these themes, I never felt like I […]
The Big Picture
“You can hide from your past, but you can never erase it.” With that simple tagline, it becomes clear that The Big Picture is a movie we’ve seen before: a successful man does something unspeakable, and spends a good deal of time trying to bury his transgression. It is unfortunate that director Eric Lartigau, who […]
Argo
Ben Affleck has had a strange career. As far back as his early films with Kevin Smith (Chasing Amy, Jay and Silent Bob Strike Back), he’s taken a lot of flack for his acting. But the moment he got behind the camera with Gone Baby Gone, audiences and critics put away their complaints as they […]
Premium Rush
When I first saw the trailer for Premium Rush, I was somewhat taken aback. Here were Joseph Gordon-Levitt and Michael Shannon – two phenomenal, top-of-the line actors who have thrived both in independent and Hollywood films – both choosing to star in what looked like a cliché chase film for the hipster generation. But while […]
The Bourne Legacy with Mike and Søren
Here’s how our Dueling Reviews format works: each contributor writes an independent, abbreviated, spoiler-free review of the film. Then, the contributors come together in a podcast and discuss the movie in depth. Mike’s Review A week after I saw The Bourne Legacy, a friend called me up telling me that he was going to see it that […]
Prometheus with Søren and Ari
Here’s how our Dueling Reviews format works: each contributor writes an independent, abbreviated, spoiler-free review of the film. Then, the contributors come together in a podcast and discuss the movie in depth. Søren’s Review I will perhaps be deemed a heretic for what I am about to say, but here it is: I am not […]
Drive
Drive is Nicholas Winding Refn’s first return to a crime story since his final installment in the Pusher series, but the director winds up hewing to close to his own conventions to make truly compelling cinema. When I first sat down to watch Drive, I was not entirely sure what I what sort of film […]
Monsters
Writer/director Gareth Edwards made a big splash in 2010 when he released his first feature-length film Monsters, which he reportedly made for a paltry $500,000. Working with a crew of just seven people that traveled by van around across five countries in only three weeks, Edwards had high ambitions – his mission was to create an authentic romantic […]
The Girl with the Dragon Tattoo
David Fincher’s The Girl with the Dragon Tattoo is the second film adaptation of the Stieg Larsson novel by the same name. The film follows the story of investigative journalist Mikael Blomkvist (Daniel Craig) and hacker Lisbeth Salander (Rooney Mara), and how they get wrapped up in a tangled web of mystery relating to the dreadfully dysfunctional […]
