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Academic

Robert Rodriguez’s Sin City Blurs Media, Genre and Style

June 26, 2013 By Søren Hough 4 Comments

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For this essay, my professor asked us to find a film and talk about how it uses elements from different media, genres and styles to create something entirely new. I chose to talk about Robert Rodriguez’s Sin City. A black and white hand-drawn frame from the Sin City graphic novel appears on the screen as the Blu-ray […]

Academic

Altman Makes The Long Goodbye, But Not to Film Noir

February 15, 2013 By Anthony Putvinski 1 Comment

Last week, we posted an article about the 1946 adaptation of Raymond Chandler’s harbdoiled novel The Big Sleep starring Lauren Bacall and Humphrey Bogart, and whether it should be classified as a film noir. This week, we look at another adaptation of a Chandler novel from 1973: Robert Altman’s The Long Goodbye, starring Elliot Gould and Nina […]

Academic

The Big Sleep And Genre: Neither Here Noir There

February 5, 2013 By Søren Hough 2 Comments

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Howard Hawks’ seminal classic The Big Sleep is difficult to categorize. The first instinct for many film writers and scholars has been to categorize it immediately as so-called “film noir,” lumping the movie together with other classic films like John Houston’s The Maltese Falcon and Billy Wilder’s Double Indemnity. However, it is difficult to be […]

Fight the Power: Interview with Cyril Schäublin, Writer/Director of Unrest

September 14, 2022 By Søren Hough

Pastries, Freedom, and Love: An Interview with The Artist Airidescence

August 17, 2022 By Søren Hough

Prehistoric Planet Review

July 25, 2022 By Patrick Murphy

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