For this essay, my professor asked us to find a film and talk about how it uses elements from different media, genres and styles to create something entirely new. I chose to talk about Robert Rodriguez’s Sin City. A black and white hand-drawn frame from the Sin City graphic novel appears on the screen as the Blu-ray […]
Altman Makes The Long Goodbye, But Not to Film Noir
Last week, we posted an article about the 1946 adaptation of Raymond Chandler’s harbdoiled novel The Big Sleep starring Lauren Bacall and Humphrey Bogart, and whether it should be classified as a film noir. This week, we look at another adaptation of a Chandler novel from 1973: Robert Altman’s The Long Goodbye, starring Elliot Gould and Nina […]
The Big Sleep And Genre: Neither Here Noir There
Howard Hawks’ seminal classic The Big Sleep is difficult to categorize. The first instinct for many film writers and scholars has been to categorize it immediately as so-called “film noir,” lumping the movie together with other classic films like John Houston’s The Maltese Falcon and Billy Wilder’s Double Indemnity. However, it is difficult to be […]
