If we define postmodernism as art which questions and critiques established formal rules, Michael Almereyda’s Experimenter might accurately be described as post-postmodern. It deconstructs the impulse towards deconstruction; instead, Almereyda asks his audience why they consider some rules worthy of clinging to and not others. The obedience experiments of Stanley Milgram may be the subject, but […]
Dear White People
I have a paradoxical love for Dear White People. On one hand, I wish writer/director Justin Simien had tackled such serious subject matter further along in his carer. On the other, I wonder if a more established director would have taken so many risks. A world post-Spike Lee – a man more concerned with strangely esoteric commentary and Korean […]
Sin City: A Dame to Flop For
It was during the Cannes Film Festival in the spring of 2005 when the world first discovered a cult classic: Sin City. Robert Rodriguez’s take on the renowned comic by Frank Miller was chosen to screen in competition at the famous French film festival. At that time, most critics commended the film for its audacious design and smart […]
