On a technical level, “True Colors” is often bizarre and always interesting; narratively, this is some of the most exciting material we’ve seen in Deadwood.
“I Am Not the Fine Man You Take Me For” is an episode that makes a frightening declaration about who Hearst is and what Seth and Al are up against.
In “Tell Your God to Ready for Blood,” director Mark Tinker revels in Deadwood’s brewing conflict between George Hearst, Seth Bullock and Al Swearengen. Esther and Søren discuss.
However (un)satisfactorily “The Iron Throne” concludes Game of Thrones, it also brings our podcast series, “Stark Contrast,” to a bittersweet end. This week, Esther and Søren close out Stark Contrast.
In Game of Thrones’ “The Bells,” Miguel Sapochnik once again uses every visual trick he can find to try reanimate a show long past its prime. Esther, Søren and guest host Josh Lewis discuss.
“The Last of the Starks” struggles to justify its own existence as Game of Thrones meanders in the wake of its climactic battle with Death itself.
Release the confetti, folks: Miguel Sapochnik is back for “The Long Night.” This week we’re treated to 80-ish minutes of Game of Thrones‘ best remaining director choreographing the largest and most complex battle sequence in the show’s history. The results are immediately evident as a striking opening shot of Sam Tarly’s (John Bradley) shaking hands […]
After a rough season premiere, Game of Thrones veteran Bryan Cogman turns the show in a positive direction with “A Knight of the Seven Kingdoms.” Cogman is responsible for writing some of the show’s best episodes (including Season 1’s “Cripples, Bastards and Broken Things” and Season 4’s “Oathkeeper”). His dialogue and character work shows a […]
Welcome back to Stark Contrast! We’re happy to return to our perennial podcast show where we discuss Game of Thrones. This week, we’re kicking off with the Season 8 premiere, “Winterfell.” It’s a slow burn re-introduction to the denizens of Westeros and Essos that never managed to get J and me excited about the series […]
After last week’s dirge, Deadwood closes out Season 2 with the fantastic “Boy the Earth Talks To.” Director Ed Bianchi is back and it’s immediately apparent. His clever use of depth of field and of framing immediately permeate event he more mundane scenes. Tonally the show also strikes a contrast with its predecessor, trading day […]